Overview
Image Archive archivist Dino Everett assembled a feature-length compilation of SCA student works from the late ’60s and ’70s. The compilation features recently uncovered and previously unseen student films by Dan O’Bannon and John Carpenter. • BLOOD BATH (1969, written and directed by Dan O’Bannon) B/W (original 16mm) 7 min. • THE DEMON (1970, written and directed by Charles Adair) B/W (original 16mm) 19 min. • GOOD MORNING DAN (1968, written and directed by Dan O’Bannon, camera by John Carpenter) Color (original 8mm) 19 min. • CAPTAIN VOYEUR (1969, written and directed by John Carpenter) B/W (original 16mm) 7 min. • BLOOD BATH (1976, written and directed by Dan O’Bannon) Red tint (original 16mm blown up to 35mm) 8 min. • JUDSON'S RELEASE (1971, written by Alec Lorimore, directed by Terence H. Winkless) (original 16mm) Color 15 min. Total program time: 80 minutes.
Frequently Asked Questions & Story Details
Who directed Shock Value: The Movie — How Dan O’Bannon and Some USC Outsiders Helped Invent Modern Horror?
Shock Value: The Movie — How Dan O’Bannon and Some USC Outsiders Helped Invent Modern Horror was directed by Charles AdairTerence H. Winkless.
Where was Shock Value: The Movie — How Dan O’Bannon and Some USC Outsiders Helped Invent Modern Horror produced?
It was produced by companies including DKA Films, USC Hugh M. Hefner Moving Image Archive in United States of America.
Shock Value: The Movie — How Dan O’Bannon and Some USC Outsiders Helped Invent Modern Horror Ending Explained & Trivia
The ending of Shock Value: The Movie — How Dan O’Bannon and Some USC Outsiders Helped Invent Modern Horror wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
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