Overview
While composed of pure/blank color frames (often “flickering”), this is not a “Structural Film”; there’s no predetermined overall structure to the work (which is, anyway, only “chapter one” of a sort of “abstract novel” in progress, a novel which can become extremely lengthy in its projected series of chapters, a novel with a beginning, a middle but no preconceived ending). The film moves from “episodes” of different lengths and moods/rhythms/melodies, without any apparent cause-effect, like life itself, which passes on (“passare” – to pass, to pass on) from one unpredictable event/emotion to another. Each ‘episode’ is based upon some feeling, event or place and is aesthetically resolved; but there are no links from one episode to another. The episodes may be as short as one second or as long as ten minutes; each is my subjective interpretation of actual incidents, places, feelings, etc. into the terms of pure temporal color. Everything is in actual chronological order.
Frequently Asked Questions & Story Details
Who directed Passare I (Italia)?
Passare I (Italia) was directed by Paul Sharits.
Where was Passare I (Italia) produced?
It was produced by companies including Unknown Production Companies in Unknown Countries.
Passare I (Italia) Ending Explained & Trivia
The ending of Passare I (Italia) wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
Ready to watch?
Stream Passare I (Italia) right now — no waiting.
