Papa, maman, Perret et moi. Un appartement pour témoin
Overview
“This was, a priori, a more familiar commission, as I had lived in Le Havre – it’s actually the only town I know a little. And I’ve always liked the architecture of Auguste Perret…Annette Haudiquet, a curator at the Malraux museum, asked me to come to Le Havre. She had planned visits to different sites. We began with the Perret show-apartment, accompanied by the guides Elisabeth Chauvin and Pierre Gencey. We had lunch, I went to their home – they also live in a Perret apartment, arranged identically to the show-apartment. And I imagined the two of them with their son Vincent, as characters “acting” as the residents of the show-apartment. With this first idea, I accepted the commission: staging them as residents of the apartment when, in reality, they are the guides, between two realities, two epochs: the apartment that they live in and the one they show to people”.
Frequently Asked Questions & Story Details
Who directed Papa, maman, Perret et moi. Un appartement pour témoin?
Papa, maman, Perret et moi. Un appartement pour témoin was directed by Pierre CretonVincent Barré.
Where was Papa, maman, Perret et moi. Un appartement pour témoin produced?
It was produced by companies including Unknown Production Companies in Unknown Countries.
Papa, maman, Perret et moi. Un appartement pour témoin Ending Explained & Trivia
The ending of Papa, maman, Perret et moi. Un appartement pour témoin wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
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