Overview
Artifice and reality, identity and disguise, representation and transformation are woven through a powerful pastiche of theatrical performance, mass cultural appropriation and fragmented narrative. Deconstructing an episode of TV's Miami Vice that features crude representations of Latino drug dealers, Labat constructs a multilayered psychological drama of converging realities. In a studio (the space between "cut" and "action"), artists Tony Oursler and Winston Tong provide commentary. Playing out a tragic drama with dolls, Tong also tapes his eyelids down and applies make-up, transforming himself from Asian to Caucasian, male to female. In a final confrontation of identity, Tong steps through the enlarged television image, devoid of masks or make-up.
Frequently Asked Questions & Story Details
Who directed Mayami: Between Cut and Action?
Mayami: Between Cut and Action was directed by Tony Labat.
Where was Mayami: Between Cut and Action produced?
It was produced by companies including Unknown Production Companies in Unknown Countries.
Mayami: Between Cut and Action Ending Explained & Trivia
The ending of Mayami: Between Cut and Action wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
Ready to watch?
Stream Mayami: Between Cut and Action right now — no waiting.

