
Overview
The police detective Waldo, of immersed and circumspect disposition and temper, investigates several crimes associated with indigenous rituals that occur in some regions of the Peruvian Andes. There we find a boy and a girl who are about to enter puberty and begin to interact with certain mythical beings, a supernatural belief very common in many Andean villages. A sinister character, pretending to be on a mission of faith, but imbued with religious dogmatism and intolerance, interrupts this peaceful scene as he casts an ominous shadow over these ancient Peruvian beliefs. Although Waldo's boss considers him inferior and distrusts his methods (a form of discrimination), the policeman continues his efforts to capture the "Extirpator of Idolatries.¨ At the same time, Waldo will resolve his own inner conflict which has troubled him all his life.
Frequently Asked Questions & Story Details
Who directed Extirpator of Idolatries?
Extirpator of Idolatries was directed by Manuel Siles.
What was the budget and revenue for Extirpator of Idolatries?
The official budget was $60,000 and the movie went on to gross $0 worldwide.
Where was Extirpator of Idolatries produced?
It was produced by companies including La Luna Pintada Producciones in Peru.
Extirpator of Idolatries Ending Explained & Trivia
The ending of Extirpator of Idolatries wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
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