HD5m2019enReleased

Egungun (Ancestor Can't Find Me)

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Overview

The word bone translates to yoruba as “bones.” In Egungun: Ancestor Can’t Find Me, a shell-covered sea creature swims emerges form the Gulf of Mexico and wanders island jungles and shores. The shelled creature we see wandering in this film bears traits of both male (egungun) and female (gelede) ancestors. The chasm of time, distance and violence has severed its link to the living leaving it to look and listen for traces of our lives in an endless disorienting loop. The film references the ancestor-reverent Egungun masking tradition of the Yoruba people who, indigenous to modern-day Ghana, Benin, Togo, and Nigeria, were among the many African ethnic groups captured, enslaved and sold as chattel into the Transatlantic Slave trade.

Frequently Asked Questions & Story Details

Who directed Egungun (Ancestor Can't Find Me)?

Egungun (Ancestor Can't Find Me) was directed by Cauleen Smith.

Where was Egungun (Ancestor Can't Find Me) produced?

It was produced by companies including Unknown Production Companies in Unknown Countries.

Egungun (Ancestor Can't Find Me) Ending Explained & Trivia

The ending of Egungun (Ancestor Can't Find Me) wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.

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