Anti-Objects, or Space Without Path or Boundary
Overview
The title of this video, taken from the texts of the architect Kengo Kuma, suggests a way of looking at everything as “interconnected and intertwined” - such as the historical and the present and the tool and the artifact. Images and representations of two structures in the Portland Metropolitan Area that have direct and complicated connections to the Chinookan people who inhabit(ed) the land are woven with audio tapes of one of the last speakers of chinuk wawa, the Chinookan creole. These localities of matter resist their reduction into objects, and call anew for space and time given to wandering as a deliberate act, and the empowerment of shared utility.
Frequently Asked Questions & Story Details
Who directed Anti-Objects, or Space Without Path or Boundary?
Anti-Objects, or Space Without Path or Boundary was directed by Sky Hopinka.
Where was Anti-Objects, or Space Without Path or Boundary produced?
It was produced by companies including Unknown Production Companies in United States of America.
Anti-Objects, or Space Without Path or Boundary Ending Explained & Trivia
The ending of Anti-Objects, or Space Without Path or Boundary wraps up key thematic points regarding its characters. The film showcases excellent use of sound design, writing, and visual effects to create an immersive cinematic environment. For full analysis of ending theories, you can check out our corresponding articles in the Lumaflicks Blog section.
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